Introduction: Viewing the Tale: Cervantes’s Portrait, Lope’s Hieroglyphics and Methods of Verbal Visual Cognition
Chapter One: Image, Text and Memory in Illuminated Manuscripts and Early Print
Chapter Two: Don Quijote and Don Juan: Collectors and the Collection as Models for Critical Inquiry into the Baroque
Chapter Three: Material Representations of the World: Using Physical Texts and Fictional Expression to Create Literary Edifices
Chapter Four: Emblems, Meditation and Memory: Mental Reverberations of the Novella
Chapter Five: Fragmentation of the Protagonist and Society: Emblems, Anamorphosis and Corporeality
Conclusion