Peripheral Visions

Images of Nationhood in Contemporary British Fiction

Editor(s) Ian A. Bell

Language: English

Genre(s): History

  • November 1995 · 228 pages ·234x156mm

  • · Paperback - 9780708312605

About The Book

Throughout contemporary British writing, the question of national identity recurs. By means of its testimony to lived experience, the novel seems to offer the possibility of exploring local communities and marginalized identities in various elaborate ways. However, by its very metropolitanism, and as a result of the material circumstances of publishing and the cosmopolitan nature of the audience, the British novel inevitably conglomerates around London, and its exploration of the remainder of Britain has tended to be patchy and "touristy". This book investigates the ways in which contemporary writing disseminates a consciousness of local and national identity, and the ways in which the writers negotiate a space for their locality. It contains commentary by academics alongside testimony from writers describing what is involved in trying to re-negotiate some sense of local allegiance in fiction.

Contents

The passionate periphery - Cornwall and romantic fiction, Ella Westland; stories of bewilderment - current Scottish fiction, Dorothy Porter; Aztecs in Troedrhiwgwair - the Welsh novel, Tony Bianchi; writing on the edge of catastrophe, Wil Owen Roberts; fiction in conflict - Northern Ireland's prodigal novelists, Eve Patten; remembering poverty - fiction from the North-East, Penny Smith; mother to legend (or going underground) - the London novel, Ken Worpole; regional crime squads - location and dislocation in the British mystery, Stephen Knight; stop making sense - travel narratives in contemporary Britain, Ian A. Bell; writing from the margins - the lost community of the novel, George Wotton.

About the Editor(s)

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