John Rignall (Warwick University) Joseph Conrad: Anarchism, Nihilism and Irony; Maurizio Ascari (Bologna University) Anarchism and Early Modernism; Paul Gibbard (Oxford University) G. K. Chesterton, Anarchism and The Man Who Was Thursday; Stephen Knight (Cardiff University) Anarcho-Syndicalism in Welsh Industrial Fiction; Keith Dixon (Lyon University) The Gospel According to Saint Bakhunin: Lewis Grassic Gibbon and Libertarian Communism; Raimund Schaffner (Heidelberg University) Ralph Bates and the Representation of the Spanish Anarchists; Kathleen Bell (De Montfort University) Red Ethel: The Influence of Emma Goldman on Ethel Mannin; Uwe Zagratzki (Oldenburg University) The Moral Vision of Herbert Read; Valentine Cunningham (Oxford University) Sidney Street, the Litvinoffs, Iain Sinclair and East End Imaginations; David Goodway (Leeds University) Anarchism in the Fiction of Alex Comfort and Aldous Huxley; H. Gustav Klaus (Rostock University) Anti-Authoritarianism in the Later Fiction of James Kelman; Ian A. Bell (Swansea University) Anarchy is the New Rock and Roll: Irvine Welsh, Alan Warner and Recent Scottish Fiction; Katie Gramich (Open University) Anarchism in the new wave of Welsh fiction; Heiner Becker (Amsterdam University) The Development of Anarchist Thought in the Twentieth Century; Christian Schmidt-Kilb (Rostock University) (Post) Modernism, or the Cultural Logic of Anarchism?